Even Stone Can't Resist Block Blast 🧩 #SeriouslyAddictive

🎬 Video Description (30s Version) Visual Style: AI-generated photorealistic scenes blended with game footage. Natural lighting, fast-paced editing with a playful, slightly satirical tone. English subtitles and voiceover included. ⏱️ [Opening Scene – 0:00–0:05] Black screen with text: “You thought only humans could get addicted?” 🗿 [Scene 1 – 0:05–0:25] Montage of famous statues around the world, all deeply focused on their phones. (Phone screens are never visible — just body language and facial expressions convey their obsession.) Statue of Liberty stands perfectly still, head bowed, intently staring at a phone. NYC skyline behind her. Michelangelo’s David holds up a phone for a selfie, striking a pose with full concentration. The Little Mermaid leans her chin on one hand, swiping with the other, completely absorbed. The Great Sphinx rests a phone between its stone paws, leaning forward with a deep, blank expression. Easter Island Moai statues stand in formation on grassy plains, all looking down at their phones — a darkly funny visual. 🎮 [Insert – Game Footage – Block Blast] Quick-cut edit of Block Blast gameplay: Fast block explosions, combos, animations. Bright colors, sharp transitions. No player shown — this represents what the statues are seeing. 😵‍💫 [Scene 2 – 0:25–0:45] The statues are even more hooked. Statue of Liberty turns her back to the crowd, secretly playing. David frowns in frustration — stuck on a level. One Moai pokes at the phone with two oversized fingers, while another Moai leans in to watch. Sphinx gently shakes its phone, clearly trying to reset or reload. 🧱 [Ending – 0:45–0:30] White background, fading in black text: “Even ancient stone can’t put it down...” “Block Blast – seriously addictive.” Display game logo + optional download QR code. ✅ Visual Notes: Phone screens must always face away from the viewer. Gameplay footage should be high-resolution, fast-paced, and visually engaging. Statue movements must respect their original physical structure — limit movement, suggest emotion through subtle gestures, posing, or camera work.